Archive for September, 2012

29
Sep
12

 C&J Blue logo

 For the first time…..C&J CASTING is offering
On-going audition classes!

“Auditioning For Commercials”

with

Tim Ross

This class will be every Monday night

for 4 weeks, and on the 5th week you will have a showcase with discussion/feedback from Casting Director Paige Johnston Thomas

and special guests!
October 15th – November 12th
at C&J Casting

 

 

   “Auditioning For Commercials” 

Monday Evenings:  Oct. 15th, 22nd, 29th, Nov. 5th, 12th
7:00pm – 9:00pm
$275.00
(introductory rate)

 

A note from Paige Johnston Thomas:    

As a Casting Director, I am so excited about this first class in a series of upcoming Audition Classes!
I know the talent in this region knows how to act, but auditioning is another skill set altogether – a skill that needs to be honed and perfected. I am thrilled about this AUDITIONING FOR COMMERCIALS class, and I truly believe Tim is the instructor to help guide talent to better auditions, to stronger auditions, and to consistently great auditions.  I’ve seen the impact he has had on students, and I can’t wait to attend Week Five to watch our amazing talent.

To request a Registration Form, please email  

CJWorkshop@gmail.com 


 

 

MEET YOUR INSTRUCTORS:

TIM ROSS    

 

 

Tim Has been a professional actor for nearly 30 years. Theatre credits include the title role in the World Premiere stage adaptation of Huckleberry Finn. Television credits includea recurring stint on Days of Our Lives, Unsolved Mysteries, Rescue 911 and Saved By the Bell. His Equity regional theatre credits include Brick–Cat On A Hot Tin Roof (w/Pat Hingle). Joe Farkus–The Last Night of Ballyhoo, Vinnie-Proposals. East coast basedtelevision include: One Tree Hill, Surface, The Mecklenburgers and dozens of national and regional commercials. Tim has also made literally hundreds of radio commercials for companies like Alltel mobile, Sundrop, HarrisTeeter and many more. In the commercial world, Tim has appeared in dozens of national, regional and local commercials. National commercial credits include Verizon, Lowe’s Home Improvement, Duracell Battery, BDO Accounting firm, Milton Bradley, Chrysler, Ford, Napa Car Care, Alltel, Sprint and Papa Johns. Tim is also a veteran of industrial non-broadcast films. His clients include: Office Depot, Eastman Kodak, WTVI (Live Host), BASF Chemicals, Glaxo-Wellcome, US Airways, Bank of America, Wells Fargo, Broadway & Seymour and many more.

 

PAIGE JOHNSTON THOMAS

Paige Johnston Thomas is currently co-owner and Casting Director at C&J Casting.  She received her Masters in Acting at UNC-Chapel Hill and performed as an actor for many years. She has been teaching auditioning workshops for over 10 years, and has taught hundreds of students the skills she has learned from working behind the camera. She is also a theatre director and has directed shows at Carolina Actors Studio Theatre and Theatre Charlotte.

 

 

 

28
Sep
12

Ga Ensemble theatre’s 20 year anniversary!

Discounted Ticket Sales For GET Patrons to The Nutcracker End Sunday!

For the special price of $20, you can get prime center seating for select performances of this holiday favorite from Roswell Dance Theatre, The Nutcracker.

 

The holidays are fast approaching, and so is the deadline to get these discounted tickets!

Roswell Dance Theatre joins Georgia Ensemble Theatre’s 20th Anniversary celebration by reserving prime center seating for select performances of THE NUTCRACKER just for our patrons!  You don’t want to miss this annual tradition that is always a sell-out, so get a leap on the holiday season by getting your tickets today!  

Choose from these four highly-anticipated performances:

 

November 23rd at 7:30 pm

November 24th at 2 pm and 7:30 pm

November 25th at 2 pm 

 

$20 Tickets Available through Sunday, September 30th.  After that time, regular ticket prices will apply.

 

Performances at the Roswell Cultural Arts Center 

950 Forrest Street, Roswell, GA 30075 

Call Georgia Ensemble Theatre at

770-641-1260  to Reserve Your Tickets Today or purchase them here!

The cast of GET’s 2003 production:  Elizabeth Wells Berkes, Patty Mosley, Judy Fitzgerald and Cynthia Collins. Photo by Haigwood Studios.

And Coming Soon at Georgia Ensemble Theatre:

 

A Taffeta Christmas

by Rick Lewis

A Fun Holiday Show of 1950’s Pop Classics.

Donna, Kaye, Peggy and Cheryl are returning to their hometown for a Christmas performance of pop classics and newly discovered rock and roll holiday songs that will have you singing right along with this high energy 1950’s girl harmony group.  This show played to sold-out houses here at GET ten years ago, and has been one of our most requested shows in recent years.  Already a subscriber?  Make sure you get extra tickets for your holiday guests now before we sell out!

 

This year’s production features:  Laura Floyd, Kara Noel Harrington, Caleigh Allen and Galen Crawley, and will be directed by Ricardo Aponte.

 

Sponsored by

The Mimms Company

 Georgia Ensemble Theatre is the Official Resident Professional Theatre Company of the Roswell Cultural Arts Center, 950 Forrest St., Roswell, GA  30075

770-641-1260     www.get.org

From our friends at the Roswell Cultural Arts Center:
Roswell Presents

The Wood Brothers
Live at the Roswell Cultural Arts Center!

Brothers Oliver and Chris Wood — the Wood Brothers — grew up in Boulder, Colorado, and both left the area after graduating from high school, Oliver moving to Atlanta while Chris ended up in New York. Oliver, a guitarist, discovered he had a knack for writing songs and formed the blues-based King Johnson, which continues to do frequent gigs on the Southern circuit. Chris, a bassist, began playing jazz and rock in New York, eventually teaming up with John Medeski and Billy Martin to form the successful jazz-funk trio Medeski, Martin & Wood. The brothers began jamming together at family functions, and the duo’s roots-inflected blend of blues, folk, and rock quickly took shape. They privately released the Live at Tonic EP, which was drawn from their first-ever public concert at New York’s Tonic venue on March 5, 2005. Signed to Blue Note Records, the Wood Brothers released their debut album, Ways Not to Lose, in 2006. The album, which features drummer Kenny Wollesen on five tracks, was produced by John Medeski and recorded at Allarie Studios in Shokan, New York. The first in a proposed series of live releases, Live, Vol. 1: Sky High, appeared in the spring of 2012

 

Friday, September 28, 2012 at 8pm
Tickets: $27

Buy Tickets here.

 

Don’t Forget!
There are still slots available for this fall’s Saturday Workshop Series, starting this Saturday! Saturday classes available for Pre-school through seventh grade. Monday night classes for high school and adult students still available as well.

Contact GET at 770-641-1260 ext. 232 to register.

For more information, visit www.get.org.

28
Sep
12

Interview with Tasia Grant

Check out this interview that Rolling Out Magazine On-Line did with Houghton’s own Tasia Grant!

http://rollingout.com/entertainment/actress-tasia-grant-hits-her-head-but-keeps-on-acting/

27
Sep
12

The Master Class Workshop

Saturday and Sunday, October 20 & 21, 2012, George and Mike will

help a select group of actors improve their skills and empower them

to greater heights in their careers.

 

Everyone will work on-camera in our NEW location at PC&E’s

Briarwood Studio. The entire weekend is designed to make

you the best that you can be.

 

Don’t wait – this class has always filled up quickly.

 

www.masterclassworkshop.com

 

Make 2012 your best year ever!

 

The Master Class Workshop

With Mike Pniewski and George Watkins

 

October 20 & 21, 2012, 10 am to 5 pm

PC&E’s Briarwood Studio

$295 (10 % Discount for Union Members)

 

***Experienced adult actors only, 20 & over***

 

www.masterclassworkshop.com

26
Sep
12

News from GPP

Georgia Film News 
September/2012

New investments in movie industry flow. Recent decision will help expand studio at Lakewood.

By  Greg  Bluestein

Some may chuckle at the city officials eager to dub Atlanta “Hollywood South,” but the metro area has fast become a filmmaker’s haven – thanks largely to taxpayer help.

A decision last week by Atlanta’s economic development agency to commit as much as $500,000 in local property taxes to help a company build new soundstages at Lakewood is another reflection of both the film industry’s growth here and government incentives that have fueled it.
Since state lawmakers adopted an expanded tax break for production companies in 2008, dozens of TV shows and movies have been shot here, and studios have sprung up from the exurbs to the city. Local governments are increasingly chipping in, too.
The studio at Lakewood whose expansion is being aided by the city, EUE/Screen Gems, said demand has been so heavy for the soundstages it opened in 2010 that it needs two more.
That sort of success, however, has some critics questioning the need for public financial help. Joe Henchman, of the conservative Tax Foundation, argues that film industry incentives fail to encourage economic growth partly because many of the jobs they create are temporary and are sometimes filled by people from other states.
“There’s so many competing priorities for tax dollars right now,” he said. “It’s surprising to me that any state would prioritize subsidizing one of the most profitable industries in the world over other uses.”
Backers say the millions of dollars in state and local incentives have more than paid off.
“The tax credits have reinvigorated the industry,” said Ric Reitz, an actor, writer and director based in Atlanta.
“Before, I was working everywhere but Georgia. And now more than 50 percent of my work is Georgia-based, which is a great thing for me and my family.”
The scene was set about four years ago when lawmakers beefed up a tax break aimed at moviemakers. The version they passed offers TV and film companies spending at least $500,000 on a project up to 30 percent of the production’s budget in tax credits. That helped Georgia compete with rival locales offering similar juicy incentives.
The state’s film office says the tax credit, expected to cost about $49 million this year, has helped boost film and TV production spending tremendously – from $132 million in fiscal 2007 to about $690 million last year.
There’s a catch, though. The infusions often create a flurry of part-time or temporary work that ebbs and flows with a production’s schedule, rather than permanent jobs.
Atlanta Councilwoman Joyce Sheperd has one idea to shift the mix in favor of longer-term work: She’s encouraging local tech schools to train students on behind-the-scenes specialties. The hope, she said, is to attract post-production work and other permanent industries.
“They’re looking for people in the city as opposed to paying a lot of money flying in folks from out of town,” she said of production companies.
The industry’s growth can be felt in perhaps surprising places across the metro area.
  
Tyler Perry built a 200,000 square-foot facility in southwest Atlanta that features five stages and a 400-seat theater. Parts of AMC’s wildly popular “Walking Dead” series are filmed at studios near Senoia, a rural enclave in Coweta County, as well as the Lifetime series “Drop Dead Diva.”
  
Atlanta isn’t the only local government aiding the industry. Paulding County funded an 11-acre facility called Atlanta Film Studios with a $5.6 million bond. The studio recently wrapped “42,” a feature about Jackie Robinson, and it could soon attract other business, too. Jamie Gilbert, the county’s economic development director, said a company that distributes production units for films could open a permanent location near the studio – bringing at least 10 new jobs with it.
  
“It’s a great economic development tool, and people are investing in infrastructure in the community to try to root the business here,” said Jeremy Hariton, a partner with Road-Town Enterprises, which manages the facility.
  
Among the largest of local studios is the EUE/Screen Gems project. It came about in 2010 when a New York-based company decided to convert 34 acres of city-owned land at Lakewood Fairgrounds into a sprawling film studio. With the help of up to $1.1 million in property taxes from a district that includes the property, the first phase of studios were completed in March 2011.
  
The facility, which has so far hosted 350 productions, was at capacity from Day One, said Kris Bagwell, the studio’s vice president. The planned $3.3 million expansion would add two sound stages with the help of up to about $500,000 in property taxes collected from a special tax district to help fund the project. It would create only seven full-time staffers, city officials say, but it’s expected to spin off 600 part-time gigs.
  
“On some days, there are 600 people working on the lot who either weren’t working or they were working in California, New York, Louisiana or North Carolina,” said Bagwell. “We hear all the time from people who say, ‘This is the first time I’ve gotten to come home and work.’ “
  
It’s all helping amp up Atlanta’s celebrity quotient. John Travolta, Jennifer Garner and Clint Eastwood have been recently spotted eating at some of the city’s finest restaurants. And there’s tremendous buzz surrounding the cast of “Hunger Games: Catching Fire,” which is now filming in metro Atlanta.
 
 It’s not all glitz, though. Some of the biggest business at local studios comes from commercials, corporate videos and other lower-profile work.
  
Invest Atlanta President Brian McGowan said he’s certain the investment in the local film industry is worth it, noting California’s frustration that upstarts in Georgia have lured away so many recent projects.
  
The city, he joked, should put up a stark billboard in Hollywood with an arrow pointing eastward and a sign noting that Atlanta is 3,000 miles the opposite direction.
  
“There is this quite unspoken thing happening in Hollywood where people want to be here,” he said.

 
**The following article appeared in the Atlanta Journal Constitution on September 24, 2012 

‘Hunger Games’ lands in Clayton
By Tammy Joyner

Clayton County recently added a blockbuster to its niche in the competitive filmmaking business.

Parts of the second movie in “The Hunger Games” trilogy will be filmed over the next few months at Clayton’s International Park. The production brings with it demand for movie extras, moonlighting gigs for local police and work for local businesses.
It’s the latest in a string of big-budget films that have made their way to Clayton in the two years since the county opened a film and entertainment office. In that time, movies, television shows, commercials and other film production have created 100 permanent county jobs and injected between $5 million and $10 million into the economy of a county reeling from foreclosures and the highest unemployment rate in the 10-county metro area.
Hollywood isn’t going to solve Clayton’s unemployment problem, which is higher than the state as a whole at 11.8 percent. But the temporary work, which has been coming in regular waves, is having an impact.”Because of the numerous assets of Clayton and its proximity to Atlanta and the airport, it has been and will continue to be a big player in Georgia’s film industry,” said Lee Thomas, director of the Georgia Film Music and Digital Entertainment Office. “They’ll continue to get shows.”
As the state’s generous tax credits have expanded film investment in Georgia, Clayton has drawn Hollywood’s attention. While Atlanta landmarks will always draw the film industry, Clayton’s ability to be rural, suburban, historic or futuristic is useful to filmmakers. And Clayton is the one place in Atlanta that has a beach.
“Catching Fire,” the second “Hunger Games” film, will shoot at a man-made water park known as “The Beach,” because it was built as the beach volleyball venue for the 1996 Olympics. The park is being transformed into a post-apocalyptic setting for the movie, which is based on a book about children forced to fight to the death for food. Other parts of the movie will be shot in Atlanta and Hawaii.
Clayton County will be paid $80,000 in the deal it reached with Project GGX Productions Inc., according to documents obtained by The Atlanta Journal-Constitution. Additionally, off-duty Clayton police officers will earn $45 an hour for security, and a Clayton County Water Authority worker will be paid $75 an hour to drain and refill the park’s lake.
“It’s a really big deal for us,” said Grant Wainscott, director of Clayton’s Economic Development and Film & Entertainment Office. “There’s a lot of community pride when they can see the county on the big screen. It’s a great positive. There’s a lot of challenging economic news in the region, and when we can highlight something incredible … this is by all means a great success story for Clayton County.”
Pride notwithstanding, Clay-ton’s location and geography have helped snare big-budget movies and television productions. It’s closeness to Hartsfield-Jackson International Airport and Atlanta, where Hollywood normally sets up camp when in Georgia, helped put Clayton among the state’s top three go-to sites for film producers seeking locations. Clayton also was among the first in the state to be deemed “camera-ready.” The state designation means film producers have essentially one-stop service in meeting their needs for things such as building permits, the leasing of props and finding extra help. That type of accommodation, along with the county’s flexibility and diverse scenery, has helped land numerous Clayton landmarks and landscapes on the big and small screens, said Craig Miller, Co-President of the Georgia Production Partnership.
“They understand the business of making movies,” said Miller, whose organization helped create the tax incentives Georgia uses to recruit film production. “Clayton has got a great beautiful look. It’s attractive for a lot of scenarios. It allows you to be very close to all of the production center of Atlanta, but it has a different look of being out in the countryside. And that’s good for Clayton.”
When county officials recently learned that the “Hunger Games” shooting at International Park would conflict with the annual Lake Spivey Road Race and cookout on Nov. 3, they promptly moved the cookout to another spot. Project GGX has agreed to pay for the move, Wainscott told county commissioners Sept. 11.
Like a good character actor, Clayton has displayed a lot of range in roles that include:
   * The new NBC television drama “Revolution,” which debuted last week. The show’s producers leased an old air stair truck from the county’s National Museum of Commercial Aviation.
   * The upcoming Denzel Washington thriller “Flight.” Hall’s Flying Ranch in Hampton served as a site for the film, according to numerous websites that track Hollywood films.
   * This year’s film “What to Expect When You’re Expecting,” which used Southern Regional Medical Center as a hospital setting.
   * This summer’s Disney movie “The Odd Life of Timothy Green,” which featured Historic Rex Village.
   * The upcoming comedy “Scary Movie 5,” starring Charlie Sheen. A former Ingles grocery story in Morrow was turned into a temporary soundstage for a scene. Lake City police officers also served as security for the film.

“A lot of people want to shoot at iconic [Atlanta] places like Piedmont Park and the Georgia World Congress Center,” Wainscott said. “But the Southside has been winning [business]. It’s something people aren’t expecting.”

**The following article appeared in the Atlanta Journal Constitution on September 24, 2012

GPP
26
Sep
12

Sketchworks

 

USE CODE YACT FOR $5 OFF TIX!!

 

 
 
Where the Hell is Scottdale?

 

 

Contrary to popular belief, it is in Georgia.  Not only that, it’s in metro Atlanta.  Not only that, it’s inside the perimeter.  Just outside Decatur to be exact.

 

And it’s definitely worth finding so you can come get the live Sketchworks experience.  Plenty of free parking, and it’s right near a Kroger in case you want a rotisserie chicken after the show.

 

Here’s the place, we’ll see you soon.

 

Our calendar is stuffed.  Main Stage shows, Master Class shows, Writer/Actor Combo showcases, SketchTeens, etc.  

 

You can get into anything and everything we do, plus get some other perks, if you’re a Season Pass holder.

 

So get it and hold it.   Sketchworks Season Pass site.

 
Sketchworks videos!  It’s what you’d see if someone were dumb enough to give us a TV show.   Sketchworks YouTube Channel
 
 
 
 
Like Canaries In the Coal Mine, You Sent Others to Check Out the Show First, and Here’s What They’re Saying!  

 

“We laughed so hard.  I even snorted.”
“I’m telling all my friends.”
“I can’t wait to see the next one (or I might organize a girls night and go again.”
“You guys are amazing!!!”
“I’m coming back in a couple of weeks and bringing my grown kids.”
“Scene after scene of great stuff.”
“Exhausted from laughing…and then came the second half!”
So are all of these people bold faced liars?  Maybe about other things, but not about how funny this show is.
The show runs every Fri and Sat through Oct 20, but do not wait.  And our shows sell out, so please get your tickets in advance at www.sketchworkscomedy.com.
 
“Like” us, otherwise this is nothing more than a flippant, tawdry affair.  Sketchworks Facebook Fan Page.
 
26
Sep
12

Ansley Park Playhouse