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Archive for December, 2011
Grace Hill Media Newsletter
from AFTRA
NEWS RELEASE
AFTRA Members Reach Tentative Agreement on Network Television Code
LOS ANGELES (Dec. 9, 2011) – The American Federation of Television and Radio Artists, AFL-CIO – a national union of more than 70,000 performers, recording artists and broadcast professionals – today announced that AFTRA members have reached a tentative agreement with the four major television broadcast networks (ABC, CBS, NBC and Fox) and other producers on terms for a successor agreement to the AFTRA National Code of Fair Practice for Network Television Broadcasting, aka, the “Front of the Book.” Negotiations began on Nov. 7, and were held at the offices of the Alliance of Motion Picture and Television Producers in Sherman Oaks, Calif.
AFTRA members achieved their primary objective in this negotiation: a 1% increase in employer contributions to the AFTRA Health & Retirement Funds upon ratification, which will bring the total H&R contribution rate to 16.5%. Upon ratification, the three-year agreement will run from Nov. 16, 2011 through Nov. 15, 2014.
Other highlights include:
- · Increase wages by 6% over the term of the agreement (2% each year) for most categories
- · Increase minimum hazard pay for Dancers from $80 to $100 per day, and from $100 to $125 per program
- · The $37.50 overtime rate for Singers will be paid starting at the 7th instead of the 9th hour
- · Increase the minimum work day for Stand-Ins who work on primetime variety and award shows, which will increase the minimum daily rate by 20% to 67%
- · Improved contract language to increase equal employment opportunities for union performers, including an agreement to prohibit discrimination based on a member’s gender identity
AFTRA National President Roberta Reardon, who chaired the 25-member negotiating committee of working members from Locals around the nation, praised the tentative agreement saying: “Our negotiating committee of rehearsal and background actors, promo announcers, freelance newspersons, stunt performers, singers, dancers and, of course, actors, worked together seamlessly to deliver an agreement that guarantees increases and improvements for all union members who work, or who will work, under this contract.”
Reardon continued: “I especially acknowledge the tremendous dedication and skill of Kim Roberts Hedgpeth and her terrific team of staff. AFTRA members are fortunate to be supported by such an amazing group of professionals.”
AFTRA National Executive Director Kim Roberts Hedgpeth served as Chief Negotiator for the Union, and was assisted co-negotiators Joan Halpern Weise, AFTRA Assistant National Executive Director of Entertainment Programming, and Stephen Burrow, AFTRA New York Local Executive Director.
The Network Code “Front of the Book” is the Union’s largest national collective bargaining agreement and generates more than $250 million a year in member earnings. The Code covers programming in all television day parts (except for scripted primetime programs on the networks and the CW which are covered under the AFTRA Exhibit A contract) and programming produced for digital media. Covered programs include dramas in first-run syndication, morning news shows, talk shows, serials (soap operas), variety, reality, contest, sports and promotional announcements. Current programs covered by this contract include: “Good Morning America,” “The View,” “The Price is Right,” “The Young and the Restless,” “Saturday Night Live,” “Dancing with the Stars,” “The Voice,” “Amazing Race,” “Nightline,” “Deal or No Deal,” “Late Night with David Letterman” and “American Idol” among many others.
Full details of the tentative agreement will be submitted for approval to the AFTRA National Board on Jan. 28, 2012. Subject to the Board’s approval, the agreement will be sent out for ratification by the Union’s membership.
AFTRA has one more national contract negotiation to conclude before the end of the year: the AFTRA Sound Recordings Code. In August, AFTRA members commenced bargaining with representatives from Sony, UMG, Warner, EMI, Disney and most of their subsidiary labels for a successor agreement to the AFTRA National Code of Fair Practice for Sound Recordings, the Union’s second largest national contract. AFTRA members are scheduled to return to Sound Recordings Code negotiations in New York on Dec. 14 and 15. The Sound Recordings Code is set to expire on Dec. 31, 2011.
About AFTRA
The American Federation of Television and Radio Artists, AFL-CIO, are the people who entertain and inform America. In 32 Locals across the country, AFTRA members work as actors, broadcasters, singers, dancers, announcers, hosts, comedians, disc jockeys and other performers across the media industries including television, radio, cable, sound recordings, music videos, commercials, audio books, non-broadcast industrials, interactive games, the Internet and other digital media. The 70,000 professional performers, broadcasters and recording artists of AFTRA are working together to protect and improve their jobs, lives and communities in the 21st century. From new art forms to new technology, AFTRA members embrace change in their work and craft to enhance American culture and society. Visit AFTRA online at www.aftra.com.
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VOICE-OVER “COPY GRASP” WORKSHOP
| VOICE-OVER “COPY GRASP” WORKSHOP |
| Sally Neal, voiceover agent of Houghton Talent has this to say: “A voice is just a voice until you add personality and a true understanding of what you are saying and why… It’s the reason producers will choose one voice over another.”
Break down the copy you are given. Look at it from the producer’s and writer’s point of view. Figure out who the target audience is. Determine why your style/voice has been asked to audition the copy. Then deliver the script in the most effective way to promote interest in the product. If you do it, you will book the jobs!
Come and learn this important information!
ONE DAY ONLY, 1-3pm, January 14th. Only $99!Limited to 15 (or time will be extended) |
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You are invited to the following event: Q&A with Kim Fields and Mel Jackson Event to be held at the following time, date, and location: |
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FOR ASPIRING WRITERS, DIRECTORS OR PRODUCERS! The 11Eleven11 Project provides a groundbreaking and revolutionary opportunity for aspiring and emergent writers, directors and producers to catapult their careers and become Bonafide Filmmakers in just…
Read More Share this event on Facebook and Twitter We hope you can make it! Cheers, |
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YourACT Christmas Newsletter
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1 DAY ONLY SCREENWRITERS LAB
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TAG Qualifying Sessions
Gain your “edge” as an Actor in Demand!
TAG… Teleprompter Accreditation Group
You’re It!!! www.telegroup.org
The Teleprompter Accreditation Group (TAG) http://www.telegroup.org
Congratulations! …
You have been selected from a privileged few Professional Working Actors (because you are listed as proficient with Teleprompting) to apply for Certification as a TAG Actor. 68% of Actors applying for TAG Certification have qualified!
Who hires TAG Actors??…
Currently, several Atlanta Producers, Directors and Corporate Production Companies are now requesting TAG Actors ONLY for all of their Teleprompting jobs and the list is growing rapidly!
Simply email: telegrouptag@gmail.com to request a Qualifying Session!
I’ve TAGged you Back! …What Next?
Read these attachments:
*Qualifying Process*
and
*TAG Card Levels*
TAG will email you back with notification of availability.
TAG WILL BE HOSTING OUR NEXT QUALIFYINGS SESSIONS ON:
Friday, December 9th – Saturday, December 10th
(15 – 30 minute slots) from 10am – 4pm (signing up for one day only)
Those on the waiting list have priority.
Seeking Spanish speaking Actors.
Location: TAG, 1846 Briarwood Rd. NE
Atlanta, GA 30329
(Adjacent to the PC&E Briarwood stage)
Check our website www.telegroup.org for more information!
Sessions are on a “first come/first serve” basis and are filling up quickly.
You will be notified via email of available time slots and any necessary preparation requirements.
The last TelePrompter 101 class will be offered on Dec 13 from 3-5pm. Private lessons are still possible so if needed, ask for soon.
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Dolphin Tale director Charles Martin Smith comes by his animal affinity naturally.






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